Rita Rosenkranz

Featured by Oprah Network: Author Spotlight on Cara Bradley—Again!

April 19, 2017 by Lisa Tener

author book signing — Cara Bradley at her first book signing for On The Verge (published by New World Library)

I had the pleasure of working with Cara Bradley on her book proposal for On The Verge: Wake Up, Show Up and Shine and introducing her to her literary agent, Rita Rosenkranz, as well as her editor, Kelly Malone.

In the process, I witnessed how willing Cara was to take my coaching, as well as Rita’s, and keep improving the proposal, deepening the writing, working on platform. So, it’s no surprise to see how much attention the book is getting. Still, the specifics carry an element of suprise. It thrilled me to hear from Cara that four pages of her book would be featured on the Oprah Network.

Lisa: It’s every author’s dream to be discovered by Oprah. How did it feel when you first heard that four pages of your book On The Verge would be featured by the Oprah Network?

Cara: Time slowed down. Upon reading it a second, third, and fourth time, time stood still. At first I was confused. What does this mean? How did the folks at Oprah.com get my book? How is this possible? What’s going to happen next?

Amidst my questions, a light began to shine through. “Yes, Dear One,” my wiser self said to my confused mind, “It’s true.”

In realizing I’d been granted every author’s dream opportunity, the floodgate opened and the tears poured out.

Lisa: Tell us more about the experience. What did you learn from it and why do you call it “a pivotal moment,” beyond the idea that it is every author’s dream to be discovered and shared by Oprah?

Cara: There are pivotal moments in life when time stands still, the world seems to pause and everything goes quiet. These moments seem to last forever, for better or worse.

These moments grab your attention. They wake you up. Pivotal moments are often our gateways to directly experiencing the undeniable brilliance of being fully alive.

Minutes after realizing what I’d read in the email was true, there were tears of joy mixed with pent up exhaustion of months and months of book promotion. The emotional release was fueled by the vulnerability hangover of putting myself “out there” in countless interviews, blogs and podcasts, endless and oftentimes uncomfortable Facebook posts and Tweet after Tweet after Tweet.

I cried, shedding the small setbacks since my book launched, the minor disappointments, the unanswered pitches. I cried, laughing at the little victories, the emails from readers, the unknown awards, and the spike in book sales here and there. Lastly, I cried for whatever may come, for I have no idea.

Could the post on Oprah.com be the “big break?” Sure, it could. But I’m also savvy enough to not count on one post to do anything but give me the drive to keeping sharing my passion.

My pivotal “Oprah” moment shifted me. It’s given me confidence to trust that my hard work carried my book to the folks at Oprah.com (and maybe even Oprah herself).

Cara Bradley on break from recording the audio for On The Verge

Lisa: I’m so thrilled for you. Having worked with you on your proposal and seen all you were willing to do to make your proposal, sample chapters, platform, promotion plans—everything—be compelling to agents and publishers, I knew you had he persistence and resilience to make things happen. You’ve put in a ton of work to get the word out there about On The Verge. I’m sure that played a role in being discovered by Oprah. Do you know how they found you?

Cara: I have no idea.

Lisa: I guess that’s kind of fitting. When you put in the work and keep stepping out in faith, you don’t have to worry about how things happen. You trust. And you still don’t know the mechanics behind it. Your shining, miraculous moments happen. That’s what matters. You do work hard though. How many hours do you put in a week on average to get the word out about your book?

Cara: Since my work is intertwined with the message in my book it’s hard to pinpoint exactly when I’m in pure book promotion mode. I am, however, pushing content out daily in the form of blogs, Vlogs, podcasts, videos and social media posts.

Lisa: What activities have you participated in to promote On The Verge?

Cara: My biggest promotional expense (and time burner) was creating a free app to support my book. I find it easier to suggest someone download my free app instead of asking them to buy my book. The most satisfying (and free) activity I participate in is my weekly podcast called On The Verge. It’s been a great platform to share my message, it’s easy to promote, and I have a blast recording each episode.

Lisa: I always encourage authors to develop a sustainable model for their book promotion efforts—that there’s a business plan behind it. What activities are you doing that bring in income in addition to book sales?

Cara: In addition to running my business, Verge BodyMind, I earn additional income teaching sports teams, schools, corporations and speaking at conferences.

Lisa: What percentage of your time is spent on activities that bring in income like speaking, teaching or consulting and how do you see those activities also supporting book sales?

Cara: Everything I do supports book sales in some capacity. Last week I agreed to speak at a corporation for free which is something I don’t often agree to as I make my living through teaching and speaking. After the talk the group asked to buy 75 copies of my book.

Lisa: Wow, that’s terrific. What book promotion activities have seemed to have the biggest impact on book sales?

Cara: I saw a big jump in sales when the print versions of Mindful Magazine and Oxygen Magazine reviewed my book. While it’s challenging to get magazines to cover books, I’m creating monthly bodymind video column for Mindful’s digital version.

Lisa: What are some of your favorite ways to share the message of On The Verge?

Cara: I love the podcasts.

Lisa: What activities have not really paid off or have taken too much time and energy for the effect they had?

Cara: During the launch of my book I said yes to every interview request regardless of the scope and size of the show. While doing so gave me valuable interview experience I don’t think they provided much of a boost in book sales.

Lisa: What advice do you have for authors who are just putting together a book marketing plan? When do you suggest starting? What should they do and not do?

Cara: Know your strengths and weaknesses. If you’re a natural verbal communicator then look for ways to promote your book through live videos on social media or starting a podcast. If you’re a natural writer then a blog may be how you promote your book. Whatever you choose to do, however, be consistent. It’s the only way to build a platform that cares about your work.

Lisa: Excellent advice. What are some of the biggest surprises in launching and marketing On The Verge?

Cara: Those you think are going to be your greatest assets are not. Those you never considered would be able to support you will surprise you.

Lisa: What are some of the things you’ve heard from readers about your book and its impact?

Cara: I heard from at least a dozen people that On The Verge sits on their bedside table and provides support to them either upon waking or just before they fall asleep. This brings me incredible joy. I’ve also heard from more than a few CEO’s who have been inspired by my book.

Lisa: Wow, that’s exciting when you think of the difference it can make in a company to have that kind of mindfulness and consciousness come from the top. What an impact your book can make! What else would you like our readers to know?

Cara: While writing On The Verge was one of the most challenging periods of time in my life, I would do it again. I love what came through me during that time. I love the message of my book and if my words can help one person wake up, show up, and shine then it will have been worth the challenge.

Lisa: Beautifully put. Any parting advice?

Cara: If you feel the impulse to share your story, just do it. Get it documented any way possible. Write your insights on a napkin, record them into your phone, take a quick video. Share your wisdom. The world needs you to.

Cara Bradley, author of On The Verge: Wake Up, Show Up, and Shine is an innovative leader of bodymind training, founder of the award-winning Verge BodyMind Center and mental strength coach to CEOs, corporations, universities, and sports teams. You can find Cara’s bodymind practices on her weekly podcast and free app both called On The Verge. For more info visit www.carabradley.net. You can also follow and engage with Cara on Twitter, Facebook and Instagram.

Book Proposal: Resources Needed Section

June 16, 2010 by Lisa Tener

book proposal coach lisa tener — Your Book Proposal Coach Lisa Tener

Authors often ask me about the “Resources Needed to Complete the Book” section of the book proposal. My thinking has always been that there’s no reason to include it. An author’s advance will reflect the publisher’s estimate of how many books they think they can sell and how much competition there is from other publishing companies.

Download these 10 Tips to get started on your proposal–and make it your best!

After going on instinct for the past few years, I decided to ask an agent and make sure I was on track; maybe I was wrong. I asked New York literary agent Rita Rosenkranz for her take on the issue. Should you include resources needed to complete the book?

Rita said, “I discourage authors from including this in a proposal because, if an author needs only $2,000, for instance, the publisher might low ball the author’s advance. It’s obvious from some proposals that it will be expensive for the author if a lot of travel is necessary, let’s say, and a publisher might factor that in when deciding on the work no matter what the author’s stated needs.”

When you send your book proposal to an agent, this section is unlikely to be on their radar screen. And when your agent sends your book proposal to publishers, you want to rely on your agent’s selling savvy to get you the best advance possible. It just isn’t to your advantage to put expense numbers into the mind of the person reading your book proposal.

Get my free ebook: 10 Tips to a Book Proposal Publishers Will Love.

Have a book proposal question? Ask away or read this article which includes several links for other posts on tips to write specific sections of a book proposal: How to Write a Book Proposal.

How Important is an Internet Presence? 3 Top Agents Weigh In

August 7, 2009 by Lisa Tener

A client e-mailed me a couple of days ago suggesting that he didn’t really need an internet section in the promotion plan of his book proposal. “Isn’t that an agent’s job–to publicize my book on the internet?”

No. Book publicity is your job. Both agents and publishers want close to a sure thing. Your proposal needs to convince them you’ll do a great job publicizing your book.

Before I Got Too Smug…

As I started to e-mail back this client, telling him he had to have an internet component to his promotion plan to be taken seriously, I noticed that my answer had a pedantic feel to it. I wrote quite definitively and then thought: Do I know for sure? It’s important, sure, but could that one missing piece alone take him out of the running completely?

There was one way to find out. I e-mailed several top agents and here’s what they said:

Rita Rosenkranz wants to see an authors interest in developing their internet presence — Rita Rosenkranz wants to see an author's interest in developing their internet presence

Rita Rosenkranz said this, “Lisa, the good majority of authors can profit from a Web presence. They at least have to show interest in building their presence, with enough seeds planted to prove to a prospective publisher the interest is real. If an author makes clear he or she has absolutely no interest along these lines, it’s safe for me to think the project would be a tough sell.”

Elizabeth Pomada needs to see an authors commitment--and that needs to include the internet — Elizabeth Pomada needs to see an author's commitment--and that needs to include the internet

Elizabeth Pomada wrote, on behalf of herself and Michael Larsen, “One of the key ingredients we must have from any author, fiction or nonfiction, is commitment. And the author must be totally committed to succeeding in their new career–which is really a business and must be looked on as such.

“Any writer who will not take advantage of every way they can to promote their work and themselves is not someone we’d want to work with.

“The internet is very demanding, that’s true. But it also allows people to network and promote themselves and their book(s!) in many ways that will not intrude on their lives. They can do radio and TV tours on line, blog, podcast, get on You Tube.”

Elizabeth stresses the importance of building your fan base online. She says, “Yes, social media take time, but I remember when one of my authors spent two days a week just writing to her fans! Think of how much easier that would be to do it online. Another friend is working the social media route by making friends–guesting and responding to other people’s blogs.”

Finally, Jeanne Fredericks weighed in with, perhaps, the most forgiving response, but even so, it sounds like the internet’s a tough trend to buck.

Jeanne replied, “I think that most editors now expect that authors will have an internet presence. A few years ago having or planning a website devoted to one’s book was considered sufficient. Then having an ‘interactive website’ became the preferred version since they built more traffic to the website.

“In the last year or so, a wide range of publishers, even those in traditional areas such as religion, have been touting the benefits of blogging, twittering, and viral marketing. I think it would be wise for all authors, especially those who are not already nationally known with strong media presences, to build their followings through these new social marketing techniques.

“The investment in time in learning the techniques is likely to pay off in generating more interest from agents and editors. Having an internet presence, though, is just one element that I look for in a potential author.

Jeanne reminds us that the internet is just one aspect of your book, “Writing something fresh about a subject of interest to a sizable population, and being an author with the right credentials and experience to write about the topic are still just as essential as they have always been in my evaluation of potential authors.”

As I thought about my client–a very accomplished professional with 14 hour work days, I realized that most new or aspiring authors are intimidated by the internet.

If you’re already working your tail off, how do you find the time to learn how to harness the power of this vast resource? Even if you hire someone to do most of the internet publicity work for you, how do you know you’re hiring the right person? And what do you have them do?

I’ve been planning a week long blog series on the subject of how authors are making use of the internet in various ways to promote their books (before and after their books are written). Post comments and ask questions here, as well as let me know what you’d like to see for Internet Publicity Week 2009. Stay tuned for more details.

Featured by Oprah Network: Author Spotlight on Cara Bradley—Again!

Book Proposal: Resources Needed Section

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