In my Bring Your Book to Life® Program, I teach how to write a book quickly. A quality book, of course. And quickly is a relative term. We’re not doing it in a weekend!
Start at the Beginning to Write a Book Quickly
I just love beginnings—getting in touch with the vision of a book, thinking deeply about future readers, seeing what’s possible.
So, I’m having a ball meeting with the participants in Bring Your Book to Life® as they embark on an 8-12 week journey of writing their books swiftly, many planning to complete a first draft by the end of the course.
Because we focus on writing the foundation (usually a first draft or first draft with holes) of a truly excellent book in a short period of time, it requires us to be efficient and effective in all we do. We don’t cut corners, but we work strategically.
What does this look like? Here are a few outtakes from book concept consultations that took place in the last few days:
[bctt tweet=”Write a Book Quickly: Break it Down and Don’t Over Complicate” username=”LisaTener”]
It’s easy to try to invent something new, but if you already have a system that works, use what you have. One call was with an expert who has over a million visitors to her website. She clearly knows who her audience is and how to engage them! Plus, she’s taught much of this information before in a course.
It makes sense to use the structure from her existing course; it works! I can’t tell you how many times, though, I see people starting over with their book. Now, it’s not a bad idea to ask yourself, “Is this the most effective structure and format to get this information across?” but don’t change things just to change things.
I first suggested she use the steps of the course as her chapters. The challenge is that there are only 5 steps, making her projected chapter lengths 35 pages. This seemed way too long for her harried audience. It turns out, though that each step has around four modules, making 4 chapters in each of 5 sections–20 chapters, each around eight to nine pages. That seems like a good length for a busy audience.
Leave the Time-consuming Parts for Last When Possible

I found myself repeating something you may have heard me say before: if you’re an expert, sharing a system you already know well, or if you’re writing a memoir, you can often write from what you know and write a first rough draft with relative ease.
You can leave the extensive research or interviews for last and fill them in after you have a first rough draft. This can prevent “analysis paralysis” which can keep you in research mode way too long, and it can also give you the much needed momentum to feel confident to complete the book quickly, rather than taking so long to complete one chapter that you give up.
Of course, there may be places where research or interviews are absolutely necessary. However, think first before research and decide whether you can write from what you know and research later.
In addition, if you get stuck on one chapter, consider skipping that chapter and moving on to the next part of your outline or—perhaps even better—writing the chapter you feel most excited about writing next! Generally, a solid outline will help you work effectively and efficiently without having to write in a particular order. Sometimes, writing out of order frees your writing and creativity up in other ways.
When to Write Your Introduction
Should you write the introduction first?
It depends.
If you need to spend some time getting clear about your readers’ needs, mindset and pain points, writing the introduction and addressing these can help you get closer to your readers in preparation for writing the next chapters.
And as you describe the book, its contents, its benefits and how to engage the material effectively, you’ll get more clarity that will help you write.
On the other hand, the introduction can often be an experiment that you try a few different ways until you hit the right note. In that case, it’s preventing you from getting that quick rough first draft of the book. If you begin writing the introduction and you feel as if you’re treading water, consider moving on and returning to it later, so you can write your book expeditiously. If you already have a solid outline for the book, chances are writing several iterations of the introduction is not going to get you much additional clarity on that first draft. Keep moving.
Are there exceptions to the rules? Always. That’s why I recommend listening to your gut instinct as well (or “consulting your muse,” as I think of the creative source).
[bctt tweet=”How to Outline a Book” username=”LisaTener”]

One thing I’ve found myself suggesting to a few people in class is, if you’re writing a book that’s prescriptive (rather than narrative) or a combo of prescriptive/narrative, consider creating a blueprint for a typical chapter.
It can be something like this (just as an example):
- quote
- story
- tie story to teaching/information; provide info on xyz; define terms, share what research shows, etc.
- sidebar (can be science-y sidebar or a brief example/story or defining a term, etc.)
- provide questions for reflection and/or checklist and/or exercises or something else for readers to use for assessment and engagement, to integrate and apply the information
- possible action step for reader
So, if you are getting ready to write and want to write a book quickly, consider this first. It will help shape chapters and save you time.
Walking the Talk
I spent the past Saturday and Sunday afternoon at the Jamestown Library outlining my book. While I have a first draft written, it’s helpful for the developmental editing process to have various aspects/features/elements on color-coded Post-it notes and be able to move things around.
Note: it was a little challenging to keep the Post-it notes in place. Don’t try this on a windy day! (or if you do, make sure they are secure).
Although I plan to move some of these around, I ended up taping them down for now since they started to fall off. A particpant in class gave me the tip to buy sticky notes that are sticky all over the back and not just on one edge! I will definitely do that next time!
How About You?
Are you starting a book? What’s working? What questions are coming up? Do you have any insights or tips to share for getting started, writing a book quickly, getting the voice just right or writing your best?

There’s no one answer to this question, but writing very first thing in the morning works well for many writers, because your brain is still in that creative, relaxed mode you tap into during dreams. Access and flow can be easier. If you can’t write first thing in the morning, try different times of day and see what works best for you. And if your time is limited, find little bubbles of time— waiting in a dentist’s office, during your lunch break, after your kids go to bed—whatever time you can grab.




Dr. Naumberg: I found the advanced workshop on how to write a book proposal immensely helpful in getting direction, clarity, and straightforward advice on how to write and revise my proposal. It was excellent. Also, Rusty Shelton’s social media presentations and Susan Aiello’s instruction on verbs.
In a few week’s I’ll be sharing the most recent incarnation of my process for creating in a state of flow. Two of my clients have dubbed this “The TENER Method” for creative flow. It looks like that name is sticking.
To help people navigate uncertain or scary times: As a career/success coach, Tama Kieves noted the theme of fear coming up more regularly as clients grappled with greater uncertainty in our culture, environment, politics, work and social milieu, and, of course, their personal lives. Her antidote?
To support an under-served group of people: Unlike sleep books for parents of babies and toddlers, Lynelle Schneeberg’s
To get people out in nature: Craig Seyfried wrote
To “change the trajectory of someone’s life”: Kristin Meekof, Author of
To Empower Readers: Leena St. Michael saw how burned out many of her fellow activists were becoming. She wrote 

Geri discovered this techie gem,
Visit
Do you get some of your best ideas in the shower? Geri discovered 
Being an old schooler who loves writing by hand, I LOVE journals, and our gifts for writers list would not be complete without them. How about “doing good” with your shopping? Ten Thousand Villages offers an array of
Stephanie Chandler recommends the
I recently bought these
My assistant Geri Lafferty suggests this retro plastic door knob hanger sign:
Jennie Nash recommended 
Jody Lisberger declares: “Unquestionably:
oach,
Another great gift for the female writer, from the founder of She Writes:
I often recommend that even
I tend to write in quiet. I find most music intrusive when I’m writing. An exception? The holiday jazz of Trio West for mood-making background. Check out their second